Table of Contents of Computing in Musicology, Vol. 11
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I. Concepts and Procedures
Conceptual and Representational Issues in Melodic Comparison
Eleanor Selfridge-Field, CCARH, Stanford University
A Geometrical Algorithm for Melodic Difference
Donncha Ó Maidín, University of Limerick, Ireland
String-Matching Techniques for Musical Similarity and Melodic Recognition
Tim Crawford, Costas S. Iliopoulos, and Rajeev Raman, King's College, London, UK
Sequence-Based Melodic Comparison: A Dynamic-Programming Approach
Lloyd A. Smith, Rodger J. McNab, and Ian H. Witten, University of Waikato, NZ.
Strategies for Sorting Musical Incipits
John Howard, Digital Librarian, Harvard University
Signatures and Earmarks: Computer Recognition of Patterns in Music
David Cope, University of California, Santa Cruz
II. Tools and Applications
A Multi-scale Neural-Network Model for Learning and Reproducing Chorale Variations
Dominik Hörnel, University of Karlsruhe, Germany
Melodic Pattern-Detection Using
MuSearch
in Schubert's
Die schöne Müllerin
Nigel Nettheim, University of New South Wales, Australia
Rhythmic Elements of Melodic Process in
Nagauta
Shamisen Music
Masato Yako, Kyushu Institute of Design, Fukuoka, Japan
III. Human Melodic Judgements
Concepts of Melodic Similarity in Music-Copyright Infringement Suits
Charles Cronin, University of California, Berkeley
Judgments of Human and Machine Authorship in Real and Artificial Folksongs
Ewa Dahling, Polish Academy of Sciences, Warsaw, Poland,
and Helmut Schaffrath (deceased) [Hochschule für Musik, Essen University, Germany]
IV. Online Tools for Melodic Searching
MELDEX: A Web-based Melodic Index Service
David Bainbridge, University of Waikato, Hamilton, New Zealand
Themefinder
: A Web-based Melodic Search Tool
Andreas Kornstädt, University of Hamburg, Germany